MIXING & EFFECTS

Fruity Reeverb 2

Parameters

• H.CUT (High Cut) - Changes the high cut-off frequency. Use this to remove high frequencies from the reverberations, this will make the room sound duller.
• L.CUT (Low Cut) - Adjusts the low cut-off frequency. Use this to remove low frequencies from the reverberations. For example, if you are adding reverb to a drum track, using the L.Cut parameter will reduce the 'rumble' and muddiness from the bass drum by attenuating the bass frequencies before being passed to the reverberation engine.
• DEL (Predelay) - Controls the delay time between the direct input signal and the first strong reverb reflection. There is a tempo switch () below the Delay knob that will select 'tempo based' predelay. Predelay should be set to modest values for small rooms, and can be increased in relation to increases in room size. Predelay creates a slap-back echo effect that can both add atmosphere and muffle the signal, so use it wisely.
• SIZE (Room Size) - Use this knob to set the size of the virtual room being simulated (the display will give you feedback). For realistic effects, the Room Size should be adjusted according to the decay time. Small rooms sound better with a short decay time, large rooms sound better with longer reverberation times.
• DIFF (Diffusion) - Controls the density of the reflections bouncing off the walls of the virtual room. A low diffusion setting makes the reflections sound more distinct and sparse, like closely spaced echoes. A high diffusion setting creates a dense series of reflections, so close they sound more like a constant decaying noise.
• BASS (Bass Multiplier) - Adjusts the decay time of the bass frequencies in the reverberations. The bass level has a strong effect on the overall 'mood' or sound of the virtual room. A bright room has less bass response, while warm rooms have a more bass response.
• CROSS (Bass Crossover) - Determines the point below which bass frequencies will be boosted by the Bass knob.
• DEC (Decay) - Controls the decay time of the reverb, this is the time it takes for the signal to decay to -60dB (1/1000 of the maximum amplitude). Use low decay times for small rooms (good for fattening drum sounds), and long decay times for large rooms (halls or church-effects).
• DAMP (High Damping) - Adjusts damping of the high frequencies in the reverb signal. Damping refers to the rate at which the high frequencies decay, the effect is to causes the sound to become gradually muffled and warmer. Bypass: Setting this parameter to the maximum value will bypass the High Damping, displaying OFF in the value field.
• DRY (Dry Level) - Sets the relative level of the (dry) input signal passed to the outputs. When using Reeverb 2 in a Send mixer track this should be set to 0% (minimum).
• ER (Early Reflection) - Sets the relative level of the first reflections in the reverb. These are important for the perception of the type of 'space' the sound is in.
• WET (Wet Level) - Sets the relative level of the reverberant (wet) signal. When using Reeverb 2 in a Send Channel this should be set to 100% (maximum).
• SEP (Stereo Separation) - Adjusts the amount of stereo separation in the final output. This knob works by summing the left and right stereo channels (fully clockwise) to selecting the differences between them (fully counter clockwise).

Plugin Credits: Didier Dambrin